If I Only Had a Home.


“Dorothy did it.” I said upon being caught mid-mischief from the age of four on. Little psychiatric concern surfaced until later. My curious nature and inherent wander lust kept me to the edge of Grandma’s backyard where the neighbors reported my routine opine that “no one understands me.”

Like most girls and gays, incarnations of L. Frank Baum stories manifested worlds of exploration beset by restless ennui. Did this pass as I gradually slipped into adulthood? Absolutely not. I mooned about with small dogs on Illionois farms and still experience weekly recurring tornado dreams; my frustration ever fixed on whether folks are listening to my meteorological implorations. Take shelter! The storm is on the horizon — why am I the only one who can see that massive twister heading right toward the farmhouse? Every now and then a witch shows up. I almost always survive.

Since high school, I’ve surrounded myself with musical folks ever happy to burst into song and dance to ease our awkward journeys. Discovering missing pieces in the paramount depth of Wicked’s “For Good”; lamenting the numbing experience of a Nipsy Russell’s rusted heart in “If I Could Feel;” and endlessly clinging to better days in “Over the Rainbow.”

Don’t blame me. Dorothy did it.

Today I think of “Home.”

I have spent the past week in a beautiful land at the bedside of a dear friend, stricken unfairly with cruel and mysterious infirmity. The journey has been a whirlwind of agony juxtaposed against the majestic Rocky Mountains. I have suffered expansion as she experiences agonizing pain. I brought her a copy of “Ozma of Oz.” My queen trapped in a hospital of mirrors. We both long for home, holding tight to each other through helpless pain. I can’t help but see the entire world with new eyes. Tired eyes. Hopeful eyes but blinks away from decay and despair.

When I arrived on my sudden journey — twelve hours between “please come to Denver” and “Welcome to Denver” — I was terrified. The potential loss we faced was closer than any I’d known. Laying my grandfather to rest a few months ago, after years of Alzheimer’s and a life long lived did not prepare me to say possibly say goodbye to my heroine so young. She has been sick as long as he was, but she had less time to live beforehand. By a miracle, she pulled through. I was spared departure another day. We enjoyed precious days together. Though very painful, at least we were together. We didn’t have to go it alone.

I will say now my Ozma gifted to me bravery and authenticity the likes of which I’ve never known. The morning I woke up to the majesty of foreign mountaintops framed between slats of the hospital blind, I experienced an epiphany that shook me to my core.

For ages I have felt displaced in my own hometown. We must all suffer this infirmity – at least during our roaring twenties. Before I looked upon those mountains and saw the endless turmoil my Ozma lives in, I thought I had it so bad.

How can I be me in Dallas? I’d lost that elusive sense of home. Orphaned in a city that embraced me. I struggled with the impact I might make being myself, doing what I do best. For weeks I plotted my exodus to the West Coast — far, far from my own backyard. Somewhere they’d understand me.

A mile higher changed my whole view. Blame it on the ah-ah-ah-altitude. I just wanted to go home.

With the clarity of revelation I am now happy to announce the April launch of The Crisman Show Live from a gorgeous studio in Deep Ellum, Dallas.

Live from home.

This City is a Dag-nab Pack of Angels

Get used to it.

Hello from Los Angeles!

We are kicking up a fuss in Hollywood for Season Two of the podcast this week.  We’re in town for NAMM, getting the skinny on all the gadgets you sexy music nerds and savvy broadcasters need.  Our guests are  out of control, running the foolish gamut of producers, comedians, broadcast legends, and an alarming roster of musicians.  It’s Comic-Con for the road dogs and session cats, and I’ll be smack dab in the middle.  You will be overwhelmed by the deluge of madness ahead, musical and otherwise.

Stay tuned!

Denton’s 35 Conferette Brings Out the Soul with Mavis Staples

Mavis Staples takes us to 35 (photo by Chris Strong)
Now that’s more like it!  Last year’s Conferette (known then as NX35 before they were “kindly” asked to find a new name), was a good representation of the burgeoning Indie-Americana music running rampant ’round these parts — but I, for one, am pleased to see them taking on a more diverse approach this go around, thus opening up the event for a fresh crowd of Soul/Gospel fans (read: me + you).  Since the organization is known for guerilla advocacy of local artists, I certainly hope to see Dallas Soul/Gospel cats stand up and take part in the 35 Conferette.  Interested artists can submit via Sonicbids. More details from 35 Guru, Lyndsey Knecht Milne, after the jump.  -SC
DENTON, Texas (November 17, 2010) —  35 Conferette is proud to announce Rock and Roll Hall-of-Famer Mavis Staples has been confirmed to perform at the festival, March 10-13, 2011. 

The soul/gospel icon who led The Staple Singers (“Respect Yourself,” “I’ll Take You There”) is decorated with the highest honors afforded to celebrated industry lifers:  she won a Grammy Lifetime Achievement Award in 2005, earned a place among Rolling Stone’s Greatest Singers of All Time and was named one of  the Greatest Women of Rock and Roll by VH1. There exists a “Mavis Staples Day” in Illinois acknowledging the singer’s commitment to civil rights and impressive career, spanning more than 50 years.

Presale tickets via Prekindle.com are available at a discounted price of $70 for a very limited time. Comedian/musician Reggie Watts, neo-psych band Royal Bangs, art-rock duo Japanther, and indie-folk artist Damien Jurado are among those set to appear at the walkable 4-day music conference programmed in the heart of Denton, Texas’ central business district.

Staples’ latest record You Are Not Alone, released in September on Anti-Records, was produced by Jeff Tweedy and recorded in Wilco’s famed studio, The Loft. Tweedy penned two of the tracks for the singer. The Chicagoans became “totally family,” Staples says in materials for the record. And the sound reflects a deep yet joyful striving characteristic of both artists, a suggestion of what “soul” means across genres.

“… After decades in the music industry, she still sounds invigorated and ecstatic, unburdened by cynicism or disappointment. With Tweedy, she has created a record that is mindful of her own past, yet these songs sound fresh, original, and often inspiring.” [Pitchfork]

 

Last month, the pair performed the title track of You Are Not Alone at Jon Stewart and Stephen Colbert’s Rally To Restore Sanity And/Or Fear in Washington, D.C., with Staples closing the show solo.

“2010’s event in Denton saw the North American debut of Australia’s The Middle East [Brooklyn Vegan], a keynote address by seminal punk icon Steve Albini, and a free outdoor show featuring The Flaming Lips with Denton’s Midlake supporting. The weekend included 11 venues for regular programming and about 225 bands from Denton [Best Music Scene, Paste, 2008] to Dublin on the lineup, deemed a “scorcher” by the Austin American-Statesman. An estimated 20,000 people attended over the weekend. In 2009, NX35 drew about 2200 people.

35 Conferette is committed to improving the economics and quality of life in Denton. We reach for these goals via programmatical rocksploitation, rousing community union, and providing meaningful travel coupon codes. Follow us on Twitter, like us on Facebook, and check 35Conferette.com soon for news and updates.”

-35 Guru